|||

Anything for a Weird Life

In Praise of Bella Hayes

photo credit: Laurelphoto credit: Laurel

The Pandemic has sucked. The Pandemic continues to suck.

But some artists have pushed and made and made-do and somehow even toured while underground circumstances were and continue to be far from ideal.

Therefore, I’ve just got to praise Bella Hayes. They have held it down like Lil’ Wayne in 2008 while the underground flickered and convulsed, expanded and contracted.

I first met Bella Hayes at a house party before the 2020 convulsions began. In conversation, it became clear that they were connected with the folks I knew and have run with for decades. Bella was a recipient of the folklore and kitchen midden that passes along from punk house to basement show, from zine to zine. A moment of great delight for me occurred when Bella saw the reunited Double Dagger play at Current Space in 2021; their ecstatic wordless joy at this first time allowed my jaded show-goers’ heart to grow three sizes that day.

It has been a great privilege to watch Bella’s musical work grow and expand, sometimes in collaboration, sometimes solo. Flute, vocals, and electronics coalesce in various ways, sometimes dreamily, sometimes with a colder, harder edge. Their most recent release via the Scenic Highway Supermix offers a snapshot of where the artist found themselves recently, a journey still continuing.

As Emerson put it to Whitman, I greet Bella at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start.” Great work completed, great things to come. Via their gloom duo” Tear Sponsor, a new cassette comes with the new year. As Bella well knows, I will be making a beeline to the merch table to see what’s next. They are why I set up a Venmo, after all; old dogs, new tricks, and all of that.

Although I can never repay the debt I owe Bella and company for keeping things going at a great and serious cost in a chaotic time, I can continue to cheer for all those willing to take the chances to continue singing the song I heard long ago and continue to hear. Fearfully and wonderfully, we will all continue pressing forward.

Tim Kabara

IG: @kim_tabara

Laurel

IG: @69laurel69

Up next Poem: "Ode to Storm, Goddess, Thief, Mutant, Queen" by Steven Leyva For a Fox in the Womb by John Somers [Baltimore Sound Document]
Latest posts Fear Eats the Soul: Reflections on a Masterpiece BRUISER ZINE 004: Saturn Returns by Ashley E Walters Tape World: O.K. Let's Rock with... Nirvana "Deconsecrators" by Terence Hannum "Pottery Fragment, early 21st century" by Jennifer Stark Review: Semibegun's Shitty Music on Tape and I Loved You a Lot "Octopus Facts" by Chris Heavener On the Importance of Infrastructure [Anything for a Weird Life] "The Executive Pool" by Steve Gergley "There is a Flame Called the Endless Night" by Juliette Sandoval "Gigantopedia" by Alexander Gradus Review: Smog Mother by John Wall Barger Spring Break Scene Report [Anything for a Weird Life] Two poems by Rob Kempton "Series in Which My Body is Not My Body" by Arden Stockdell-Giesler "Rows of Jaw Bones and Worn Down Teeth" by C. Morgenrede Two prose poems by Howie Good from "Founders' Day" by Arzhang Zafar Social Media and its Discontents [Anything for a Weird Life] "Jubilee" by Damon Hubbs "Nothing to See Here" by Bernard Reed Three poems by Kimberly Swendson In Praise of Phantomime [Anything for a Weird Life] Two stories by Robert John Miller Review: Greetings from Marquette: Music from Joe Pera Talks With You Season 2 by Skyway Man "Holiday" by Serena Devi Two poems by Jordan James Ranft How to Write a Song [Anything for a Weird Life] BRUISER ZINE 003: Founders' Day by Arzhang Zafar "March Madness" by Parker Wilson "At Hirschmann Hospital" by Jan E. Stanek