|||

From Internment Camp Journal, Box 1608, Aisle 78 K

(Thanks to David W. & Joy Kogawa)

Remain estranged,” advised the albino angel
glowing in the dark with candle-perfection
for the longest knight of knives yet,
her beautifully tapered fingers crossed
once over the heart, with two behind the back
as a dance up the sleeve guarding against
the lack of kept promises
that would not pan anyway.

Keep it loose, you see,” she also opined,
chorus-boy-high, for the farthest notes
reached without strain before all those burlesque
circus freak guests bright with tender blessings
beneath the acrobats on their tightrope
improvising chairs in the Big Top Sky.

The music was fugue-like
with that quite a catch” chorus
revising the never mind of first warnings
from the Lazaretto, its quarantine-galley,
as waves like pale hands of applause
lashed at this ship no port would take.

In its wake, still plankton went on shining
and dolphins sung phosphorous, a host of endless
bon voyage rounds as if at a pyre
the relocated for safety” honored their eldest with,
picking with chop sticks for bone bits, teeth,
through ash the next morning.

Too surreal, this bedlam cabaret,” the historians criticize,
those born here also but on the right side
of war’s shores which made natives enemies
due to overseas links, but what can the winning
Culture know the feelings of familial roots ripped
with boxcar showmanship, auctioned and scattered
forever and a day?

Crunch, Crunch

You could devour me whole & choke back the vomit.
How special, how precious.
I could be steel within cyanide to clot
your esophagus & lodge again farther on.
How splendid, how raw.
You could/I could—
I’m not interested, not any longer—–
that writhing of hatred, bile, reciting the black art:
shit rotting the john.
How indulgent the pain is & how unstoppable
too quickly: Pandora merely peeking
& suddenly, a Medusa hiss, gas over head,
the coils of claws sucking in lives.
I haven’t the energy.
I haven’t the patience or passion misfired.
You know, it’s quite understandable:
slow bitterness, instant rage.
But my wants are going global & enough hell exists
there so what good are our sores?
In order to heal
bleeding visions must first scar.
Thus, go ahead. If you must
eat me then do so with relish.
A dandelion is still a dandelion
& perhaps you’ll piss punch.

Up next Fiction: "I became a different person" by Tony Rauch Fiction: "Nomadic" by George Oliver
Latest posts TILT by Tom Preston 観光客: TOURIST by Mark Wadley [BRUISER Zine 007] THINKING LONG-TERM by Cecilia Two poems by Owen Edwards HOW TO TELL YOU ARE GETTING BURNED OUT ON SHOWS [Anything for a Weird Life] Interview: No-Budget Filmmaker Nicky Otis Smith [BRUISER Film Dispatch] HEMLOCK, HEIGHT AND THE RETURN OF UNDERGROUND HIP HOP TO STATION NORTH [Anything for a Weird Life] Doc #000: KILL A GARAGE ROCKER FOR PUNK [Garage Punk Dossier] THREE POSTHUMOUS 988 CALLS by Lily Herman ON THE IMPORTANCE OF THE UNDERGROUND, HERE AND ELSEWHERE [Anything for a Weird Life] CHEESE DAZE by Alex McNicoll THE SNAKE by AW Donnelly Four poems by Max Thrax MURDER PLANET by Norah Brady CRATE DIGGING [Anything for a Weird Life] GREATER ANTILLES by Damon Hubbs TIMMY'S LAST BENDER by JD Clapp BACK TO YOUR DAY JOB: LIFE AFTER TOUR [Anything for a Weird Life] THE HUMAN TUMBLEWEED by Jon Doughboy Two poems by barboring Three poems by Emily Van Ryn AN EVENING WITH MUSCLE, BALACLAVA AND THE JULIA SET [Anything for a Weird Life] Four poems by Chris Mason JOURNAL (takes #18, #22, #29) by nat raum Two poems by Geo McCandlish AN EVENING AT WAX ATLAS [Anything for a Weird Life] BRUISER DISPATCH: A Night of Experimental Film + Music + Animation TEXARKANABAMA'S REVENGE by Mike Itaya HEAD: A HISTORY by Alicia Potee TRIPPER "FACELESS" EP RELEASE [Anything for a Weird Life] NEW YORK FILM FESTIVAL DISPATCH by Alex Lei