|||

Anything for a Weird Life

In Praise of Bella Hayes

photo credit: Laurelphoto credit: Laurel

The Pandemic has sucked. The Pandemic continues to suck.

But some artists have pushed and made and made-do and somehow even toured while underground circumstances were and continue to be far from ideal.

Therefore, I’ve just got to praise Bella Hayes. They have held it down like Lil’ Wayne in 2008 while the underground flickered and convulsed, expanded and contracted.

I first met Bella Hayes at a house party before the 2020 convulsions began. In conversation, it became clear that they were connected with the folks I knew and have run with for decades. Bella was a recipient of the folklore and kitchen midden that passes along from punk house to basement show, from zine to zine. A moment of great delight for me occurred when Bella saw the reunited Double Dagger play at Current Space in 2021; their ecstatic wordless joy at this first time allowed my jaded show-goers’ heart to grow three sizes that day.

It has been a great privilege to watch Bella’s musical work grow and expand, sometimes in collaboration, sometimes solo. Flute, vocals, and electronics coalesce in various ways, sometimes dreamily, sometimes with a colder, harder edge. Their most recent release via the Scenic Highway Supermix offers a snapshot of where the artist found themselves recently, a journey still continuing.

As Emerson put it to Whitman, I greet Bella at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start.” Great work completed, great things to come. Via their gloom duo” Tear Sponsor, a new cassette comes with the new year. As Bella well knows, I will be making a beeline to the merch table to see what’s next. They are why I set up a Venmo, after all; old dogs, new tricks, and all of that.

Although I can never repay the debt I owe Bella and company for keeping things going at a great and serious cost in a chaotic time, I can continue to cheer for all those willing to take the chances to continue singing the song I heard long ago and continue to hear. Fearfully and wonderfully, we will all continue pressing forward.

Tim Kabara

IG: @kim_tabara

Laurel

IG: @69laurel69

Up next Poem: "Ode to Storm, Goddess, Thief, Mutant, Queen" by Steven Leyva For a Fox in the Womb by John Somers [Baltimore Sound Document]
Latest posts CALAMARI by Remington Lamons Three poems by James Bone #SQUATTHEPHARMACY IN 2025 [Anything for a Weird Life] Two Poems by Sascha Cohen Two stories by Sean Ennis APRIL SOLILOQUY by Yev Gelman IMPRESSIONS OF A NOISE SHOW [Anything for a Weird Life] Four prose poems by Howie Good Two poems by Kelly Xio [One More Day on Earth Together] CRATE DIGGING: The Future of Music Media is on Wax [Anything for a Weird Life] two poems by aeon ginsberg [No More Days in Hell Alone] TILT by Tom Preston 観光客: TOURIST by Mark Wadley [BRUISER Zine 007] THINKING LONG-TERM by Cecilia Two poems by Owen Edwards HOW TO TELL YOU ARE GETTING BURNED OUT ON SHOWS [Anything for a Weird Life] Interview: No-Budget Filmmaker Nicky Otis Smith [BRUISER Film Dispatch] HEMLOCK, HEIGHT AND THE RETURN OF UNDERGROUND HIP HOP TO STATION NORTH [Anything for a Weird Life] Doc #000: KILL A GARAGE ROCKER FOR PUNK [Garage Punk Dossier] THREE POSTHUMOUS 988 CALLS by Lily Herman ON THE IMPORTANCE OF THE UNDERGROUND, HERE AND ELSEWHERE [Anything for a Weird Life] CHEESE DAZE by Alex McNicoll THE SNAKE by AW Donnelly Four poems by Max Thrax MURDER PLANET by Norah Brady CRATE DIGGING [Anything for a Weird Life] GREATER ANTILLES by Damon Hubbs TIMMY'S LAST BENDER by JD Clapp BACK TO YOUR DAY JOB: LIFE AFTER TOUR [Anything for a Weird Life] THE HUMAN TUMBLEWEED by Jon Doughboy Two poems by barboring